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Thursday, April 8, 2027 7:30 PM // Hill Auditorium

Yuja Wang, piano

Performance
 

Yuja Wang returns to UMS for the first time in nearly a decade to close the 148th Annual Choral Union Series with her charismatic artistry, emotional honesty, and captivating stage presence.

She is known for her fearless approach to music-making, teaming up with The Philadelphia Orchestra in 2024 to perform all four of Rachmaninoff’s piano concertos, followed by his Rhapsody on a Theme of Paganini, in a landmark performance at Carnegie Hall. Two decades after her international breakthrough, when she replaced Martha Argerich as piano soloist with the Boston Symphony Orchestra while still a student at the Curtis Institute of Music, she brings virtuosity, spontaneity, and daring to every program.

“Her combination of technical ease, coloristic range, and sheer power has always been remarkable … but these days there is an ever-greater depth to her musicianship, drawing you into the world of each composer with compelling immediacy.” (The Financial Times)

Program to be announced.

Meet the Artist

Yuja Wang
Yuja Wang

Thank You to Our Sponsors

Order 2026/27 Season Tickets

Yuja Wang, piano
Hill Auditorium
Season ticket packages on sale now!
Individual event tickets available 7/28

CHOOSE A PERFORMANCE:

Order 2026/27 Season Tickets Or call the ticket office at 734-764-2538

* Student, Senior and Group Discounts may be available

Thursday, April 8, 2027 7:30 PM
Hill Auditorium

Yuja Wang, piano

Performance
Order 2026/27 Season Tickets
Season ticket packages on sale now!
Individual event tickets available 7/28

Yuja Wang returns to UMS for the first time in nearly a decade to close the 148th Annual Choral Union Series with her charismatic artistry, emotional honesty, and captivating stage presence.

She is known for her fearless approach to music-making, teaming up with The Philadelphia Orchestra in 2024 to perform all four of Rachmaninoff’s piano concertos, followed by his Rhapsody on a Theme of Paganini, in a landmark performance at Carnegie Hall. Two decades after her international breakthrough, when she replaced Martha Argerich as piano soloist with the Boston Symphony Orchestra while still a student at the Curtis Institute of Music, she brings virtuosity, spontaneity, and daring to every program.

“Her combination of technical ease, coloristic range, and sheer power has always been remarkable … but these days there is an ever-greater depth to her musicianship, drawing you into the world of each composer with compelling immediacy.” (The Financial Times)

Program to be announced.

Meet the Artist

Yuja Wang
Yuja Wang

Thank You to Our Sponsors

PRESENTING SPONSOR

  • Shaomeng Wang and Ju-Yun Li

PRINCIPAL SPONSOR

  • Menakka and Essel Bailey

SUPPORTING SPONSOR

  • Donald Morelock and Antoinette Benjamin Morelock

MEDIA PARTNERS

Buy Tickets

Yuja Wang, piano
Hill Auditorium
Season ticket packages on sale now!
Individual event tickets available 7/28

CHOOSE A PERFORMANCE:

Order 2026/27 Season Tickets

Or call the ticket office at 734-764-2538

* Student, Senior and Group Discounts may be available

Yuja Wang
Yuja Wang

Pianist Yuja Wang is celebrated for her charismatic artistry, emotional honesty and captivating stage presence. She has performed with the world’s most venerated conductors, musicians and ensembles, and is renowned not only for her virtuosity, but her spontaneous and lively performances, famously telling The New York Times, “I firmly believe every program should have its own life, and be a representation of how I feel at the moment.”

Yuja was born into a musical family in Beijing. After childhood piano studies in China, she received advanced training in Canada and at the Curtis Institute of Music under Gary Graffman. Her international breakthrough came in 2007, when she replaced Martha Argerich as soloist with the Boston Symphony Orchestra. Two years later, she signed an exclusive contract with Deutsche Grammophon, and has since established her place among the world’s leading artists, with a succession of critically acclaimed performances and recordings. She was named Musical America’s Artist of the Year in 2017, and in 2021 received an Opus Klassik Award for her world-premiere recording of John Adams’ Must the Devil Have all the Good Tunes? with the Los Angeles Philharmonic under the baton of Gustavo Dudamel.

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