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STORY

Enrico Caruso’s Big Debut…and the 1918 Spanish Flu Pandemic

This is not the first time UMS has been forced to make tough choices in response to a global pandemic. Discover how the 1918 Spanish Flu impacted bringing “the world’s greatest tenor” to Ann Arbor.

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STORY

Playlist: Sir James Galway at UMS

Enjoy selections from every one of Sir James Galway’s UMS programs since his 1978 Ann Arbor debut.

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STORY

Playlist: UMS Staff “Quarantunes”

UMS staff compiled a playlist to help stay calm and productive while working from home.

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STORY

“Alone in the Jungle for Days” — An Interview with Tarek Yamani

UMS guest contributor Doyle Armbrust interviews Tarek Yamani about his inspiring self-reflection and journey finding a unique musical voice and “Afro-Tarab” style.

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STORY

Hélène Grimaud Performance Playlist

In light of Hélène Grimaud’s canceled performance due to COVID-19 restrictions, enjoy a playlist of the exact recital program featuring Ms. Grimaud’s magnificent recordings.

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STORY

COVID-19 Update

All University of Michigan campus events convening 100+ people are canceled through April 21. UMS will follow up via email no later than Friday, 3/13 with information about refund and ticket donation options for canceled presentations.

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STORY

Tunde Olaniran’s March Residency at UMS

Tunde Olaniran is collaborating with fellow Flint artists Talicia Campbell, Terra Lockhart, and Emma Davis on a new multimedia piece about bridging the cultural divides within the southeastern Michigan region. Learn more about their upcoming activities.

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STORY

A Mariachi Celebration In Southeast Michigan

The award-winning students of Mariachi Nuevo Santander brought an unforgettable week of cultural celebration to Ann Arbor, Flint, and Detroit.

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STORY

Sticky Narratives and (Guilty) Pleasures: Exploring the Music of Dvořák

Guest contributor Doyle Armbrust shares the unabashed romance and masterful writing of Dvořák’s music.

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STORY

From Audience to Action: Making Connections in our Community

Connect with regional organizations whose work intersects with the themes encountered in UMS’s No Safety Net 2.0 festival.

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