Blog

Growing up as an active musician in a small town in Wisconsin, the names of the Chicago Symphony Orchestra section leaders were practically as well known to us as the neighbors down…

In Bluebeard’s Castle, seven doors are opened, revealing something terrifying behind each. What’s behind seven doors in Ann Arbor? You tell us!

One of the wonderful aspects of the Fondly… project is that the company has kept a blog that documents the show’s creative journey. On the blog you can follow the company through the rehearsal process, the premiere, and, now, the tour. The blog provides a rare glimpse into how the art is made, casting light on some of the more mysterious elements in the performance and providing both artistic and historical context.

The Orchestra made its UMS debut in January 1978 with a performance of Handel, Boccherini, Mozart, and Vivaldi’s Concerto for Four Violins (as a violinist, I don’t think this piece is performed nearly often enough).

The audience at the Power Center 21 years ago got to see a real Czardas, which the program says is “a virtuosic dance from northern Hungary.”

In 1948, Bartók was new music – the composer had died only two years before.

A video with the London Philharmonic playing Béla Bartók’s “Bluebeard’s Castle”.

Even if you don’t know the name, you have probably heard isicathamiya (pronounced is-cot-a-ME-ya). Isicathamiya choirs are made up of mostly of basses, joined by a couple tenors, an alto, and a…

The UMS Lobby will expand and redefine what we mean by “the UMS experience.” By combining online and live components in everything UMS does, we’ll enable more people to engage more continuously and more deeply with each other, with the extraordinary history of UMS, with the artists we now present, and with the life of UMS in Ann Arbor and throughout the region.