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An Interview with Paul Neubauer, viola

By UMS Lobby

Paul Neubauer, viola

A 33-year history with UMS…

Violist Paul Neubauer is set to make his seventh UMS appearance since 1986 with the Chamber Music Society of Lincoln Center on October 11. 21st Century Artist Intern Karalyn Schubring recently interviewed the distinguished musician about his history with the ensemble and his memories of performing in Ann Arbor.


How did you you first came to play with the Chamber Music Society of Lincoln Center?

“While I was a member of the New York Philharmonic, I was invited to take part in a CMS tour — which included a stop in Ann Arbor! After I left the Philharmonic, I joined CMS as a regular member. I have had countless memorable experiences in my time as part of this esteemed ensemble. Over the years, it has been amazing to study and perform interesting repertoire together around the world, during ‘Live from Lincoln Center’ broadcasts, and of course in our home at Lincoln Center’s Alice Tully Hall.”

CMS operates under a “collective” model, where different artists from their large, star-studded roster come together to play depending on the needs of each concert. What is it like to play with different collaborators all the time?

“I have been playing chamber music with hundreds of different collaborators since I started playing the viola. Everyone you work with adds to your knowledge of music as well as your own personal musical history and growth.”

The first time you came to Ann Arbor with CMS was in 1986, and this will be your sixth time back since then. Do you have favorite artists that you’ve worked with in Ann Arbor?

“Some of the programs I’ve been part of in Ann Arbor include two of my favorite singers, Anne Sofie von Otter and Heidi Grant Murphy. I also see some of my wonderful long time collaborators like violinist Ani Kavafian and cellist Fred Sherry.”

View Neubauer’s complete performance history on UMS Rewind

This season’s program, which features 13 CMS artists, celebrates composers who have contributed to our idea of the “American” sound in the 20th century, including Copland, Bernstein, Dvořák, and his student, Harry Burleigh. Is there anything about this program you’re excited to share with us?

“This is all great music and it looks like a wonderful combination of pieces. The Dvořák Viola Quintet is one of my favorite chamber works. This is sometimes called Dvořák’s ‘American’ Quintet since he wrote it during his stay in Spillville, Iowa, and you might hear an influence of Bohemian and American folk music in the work.”

What’s an important life lesson you’ve learned from playing chamber music?

“You always are working to be the best diplomat as possible when you are working with other players.”

Do you have a favorite thing to do in Ann Arbor, or whenever you’re on tour?

“Ann Arbor is of course a vibrant and exciting college town, but when you are on tour, you rarely have time to get the full flavor of a city. The usual routine is to arrive the morning of the concert, head to the hotel and try to sleep or relax, then head to the hall for a rehearsal and concert. But more often than not, there’s a party or dinner where we might celebrate the evenings performance. Maybe this visit, I’ll have more time to enjoy Ann Arbor!”


Karalyn SchubringInterview conducted by University of Michigan School of Music, Theatre & Dance composition major Karalyn Schubring, who spent Summer 2019 in New York City working with Chamber Music Society of Lincoln Center as part of her 21st Century Artist Internship.

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