UMS Arts Roundup: October 22
Many members of the UMS staff keep a watchful eye on local and national media for news about artists on our season, pressing arts issues, and more. Each week, we pull together a list of interesting stories and share them with you. Welcome to UMS’s Arts Round-up, a weekly collection of arts news, including national issues, artist updates, local shout-outs, and a link or two just for fun. If you come across something interesting in your own reading, please feel free to share!
- 25-year-old Yulianna Avdeeva of Russia won the 2010 International Frederic Chopin Piano Competition, the first woman to win in 45 years…but the award did not come without controversy.
- Sankai Juku just wrapped up their 2-week-run at the Joyce Theater in New York–see the Huffington Post review here.
- People are Watching: Our staff’s favorite video this week is this stunning clip of Hibiki by Sankai Juku.
- Need to get your jazz fix? Check out two clips from the Hot Club of Detroit’s new release here and here.
- Meet Vijay Iyer: last week’s feature on NPR’s Fresh Air.
- Dig into the music: New York Times Magazine interviews Arvo Pärt, whose music appears on the Tallis Scholars’ upcoming concert.
- AnnArbor.com preview of Sankai Juku‘s Power Center performances this weekend.
- AnnArbor.com preview of the Venice Baroque Orchestra and Robert McDuffie, featuring Vivaldi’s “Four Seasons” and Glass’s “American Four Seasons” concerti next Wednesday’s performance.
- AnnArbor.com review of the Jerusalem Quartet concert.
- Follow tenor Nicholas Phan, U-M School of Music alum, Ann Arbor native, and a soloist in this season’s Messiah, on his way to his Carnegie Hall debut.
Just For Fun
UMS’s Arts Roundup: September 3
Many members of the UMS staff keep a watchful eye on local and national media for news about artists on our season, pressing arts issues, and more. We thought we’d pull together a list of interesting stories each week and share them with you. Welcome to UMS’s Arts Round-up, a weekly collection of arts news, including national issues, artist updates, local shout-outs, and a link or two just for fun. If you come across something interesting in your own reading, please feel free to share!
- “Soundcheck Smackdown” looks at the impact and value of live cinema broadcasts.
- The New York Times asks, “Does music make you exercise harder?”
- Detroit Symphony Orchestra musicians authorize strike after talks fail
- A look at the Royal Shakespeare Company’s new digs
- The struggles of historic Beijng Opera in the 21st Century
- The Village Voice chats with jazz pianist Vijay Iyer about his new album, Solo
- No Labor Day Weekend plans? Head downtown to the 2010 Detroit International Jazz Festival.
Just For Fun
UMS’s Arts Round-up: July 30, 2010
Many members of the UMS staff keep a watchful eye on local and national media for news about artists on our season, pressing arts issues, and more. We thought we’d pull together a list of interesting stories each week and share them with you. Welcome to UMS’s Arts Round-up, a weekly collection of arts news, including national and international arts issues, artist updates, local shout-outs, and a link or two just for fun. If you come across something interesting in your own reading, please feel free to share!
- Ever wonder just what goes into bringing international artists to the US? For the first time since 9/11, the Federal Government is about to expedite part of the process.
- Writers, composers, painters, and inventive scientists have all suffered from it. Find out how some of the world’s greatest artists fought creative block.
- Check out the new trend in theater: an audience of one.
- Chris Lydon of the Huffington Post sits down with jazz pianist Vijay Iyer to talk about about his heritage, growing up in New York, and the spaces in between.
- Bill T. Jones and others pay tribute to Merce Cunningham with original performances commemorating the first anniversary of this death.
- Nathaniel Ayers, whose life was the basis for the movie The Soloist, continues his inspirational battle with Schizophrenia with a triumphant performance at the White House to mark the 20th anniversary of the Americans with Disabilities Act
- It’s the year 2010, and the Vienna Philharmonic is in more hot water with the public and government funders and the public over issues of gender equality in hiring practices.
- Congrats to the DSO and the DIA, who were both recently awarded major grants by Detroit foundations.
- U-M’s Residential College celebrated the 10th anniversary of its Shakespeare in the Arb program with performances of A Midsummer Night’s Dream last month. Here’s a look at this year’s event through a photo gallery.
Just For Fun
- Looking for a place to crash this fall? The Museum of Science and Industry in Chicago is looking for someone to spend a month living at the museum 24/7.
17th Annual Jazz Series Announced
With four different events, the UMS Jazz Series celebrates jazz’s diversity, highlighting the best in modern jazz while honoring jazz’s legacy:
Celebrating Django Reinhardt’s 100th Birthday
The Hot Club of San Francisco
The Hot Club of Detroit
Friday, October 29 | 8 pm
The Hot Club of San Francisco is an ensemble of accomplished and versatile musicians celebrating the music of Django Reinhardt and Stéphane Grappelli’s pioneering Hot Club de France. Fast forward 80 years. Continuing this early French tradition, a similar scene plays out as the Hot Club of San Francisco presents Silent Surrealism, an evening of live Gypsy jazz with short silent films from the 1930s by Charlie Bowers, James Sibley Watson, and Harold Shaw, courtesy of the San Francisco Silent Film Festival. Django Reinhardt is rightly hailed as one of the greatest guitarists who ever lived, but many people praising his accomplishments as a guitarist tend to overlook his roots in Gypsy culture and the fertile, polyglot Paris of the 1920s. Reinhardt and his companions used all these elements, along with American jazz, to create this new music, but the Gypsy heritage seems to be the most important ingredient. The Hot Club of San Francisco and the Hot Club of Detroit join together for this celebration of Django Reinhardt’s 100th birthday.
Jazz at Lincoln Center Orchestra with
Wednesday, February 2 | 8 pm
Led by the incomparable Wynton Marsalis, who conceived and built this ensemble into the irresistible force it is today, the 15-member Jazz at Lincoln Center Orchestra returns for its near-annual Hill Auditorium appearnace. Despite one of the most aggressive touring schedules in the business, they make each concert seem fresh, drawing in audiences who are continually energized and amazed by the group’s depth of outrageous talent. “[The Jazz at Lincoln Center Orchestra] is not just a band on tour, but a religious congregation, spreading the word of jazz.” (Downbeat)
Vijay Iyer Trio and Rudresh Mahanthappa’s Apex
Saturday, February 12 | 8 pm
This double bill brings together two of today’s most interesting jazz combos. Dubbed one of “today’s most important pianists” by The New Yorker, Vijay Iyer is a singular talent: a forceful, rhythmically invigorating performer who weds a cutting-edge sensibility to a unique sense for compositional balance. An exceptional, forward-thinking composer, Iyer draws from African, Asian, and European musical lineages to create fresh, original music in the American creative tradition. His latest album, Historicity, received year-end acclaim for #1 Jazz/Pop Album of the Year (The New York Times) and #1 Jazz Album of the Year (National Public Radio and The Los Angeles Times). The second half of the program features alto saxophonist Rudresh Mahanthappa’s quintet Apex, which will be co-led by Mahanthappa and trendsetting septuagenarian hard-bop saxophonist Bunky Green. Mahanthappa, (who appears with Danilo Perez on April 8 at the Michigan Theater) is one of the most innovative young musicians and composers in jazz today. The two ensembles perform separate sets, then come together for a searing finale.
Septeto Nacional Ignacio Piñeiro de Cuba
Thursday, April 7 | 8 pm
For more than 80 years and in over 35 countries, the Septeto Nacional Ignacio Piñeiro de Cuba has been the greatest and first champion of the traditional sound of the Cuban son. From the unmistakable twang of the tres to the smoky vocals of Eugenio “Raspa” Rodriguez, it is impossible to resist the infectious rhythms of this celebrated ensemble. The SNC performs some of the most treasured and well-known Cuban songs in the tradition of Ignacio Piñeiro Martínez, the legendary founder of the Septeto’s first incarnation in 1927 and one of the most important composers of son music. The group’s exceptional musicianship is firmly rooted in the musical explosion of Cuban son that took place during the 1920s and 1930s, evoking the nostalgic elegance of the dancing ballrooms and clubs of the era. The SNC recently played in the US for the first time since 1933 – more than 75 years ago. They are masters of Afro-Cuban rhythm and spirit, adding a splash of rumba to its son and delivering infectious, up-tempo fun. This band may be official cultural ambassadors from Cuba, but they know how to throw a party!
Jazz Series packages (all four concerts) range from $60 to $160. Subscription renewal packets and brochures will be mailed in early May.
Tickets to individual events on the series go on sale on Monday, August 23 (via www.ums.org) and Wednesday, August 25 (in person and by phone).