2016-17 Season Announcement
We’re excited to share our 2016-17 season with you! Explore the season in more detail on our site and watch our announcement video:
Flip through our brochure:
Which performances are you most excited to see? Share in the comments below.
Celebrating Our Programming Director
UMS Playlist: Our 2014-2015 Season
This post is a part of a series of playlists curated by UMS staff, artists, and community. Check out more music here.
Now that we’ve announced our 2014-2015 season, it’s time to get more closely acquainted with its sounds. Listen along with our Spotify playlist featuring artists on our next season.
Announcing our 2014-2015 season!
We can’t wait for this season to begin.
This year, we are challenging the boundaries of convention while honoring tradition. We’re taking you on a remarkable journey that is sure to enlighten, inspire, transport, and transform. Welcome to the 2014-2015 UMS Season.
Each UMS season is designed to take you on a journey. A geographical journey throughout the world. A journey of genre, expanding definitions and dimensions. A journey inward, created to inspire selfreflection. Come witness all that we have to offer.
Find out more about who’s coming, watch our season announcement video:
For chapters of this video focusing on each series, check out our YouTube channel.
Check out our 2014-2015 season brochure:
We’ve also got the complete 2014-2015 season listing with details about each event on our website.
Which performances are you excited about? Tell us in the comments below.
2013-2014 Season Announcement Video
Our 2013-2014 season announcement video highlights some of next season’s incredible performers. Take a look at the season brochure here.
Silent Dance Party at Season Launch Event
Photo taken at our silent dance party during our season announcement event at the Michigan League on Friday, April 12. Our UMS student committee & U-M student volunteers danced to a playlist featuring artists on our 2013-2014 season. That’s UMS president Ken Fischer joining the fun.
What’s a silent dance party? It’s a dance party at which everyone listens to the same thing through headphones while dancing, so although the party appears silent to onlookers, the dancers are all dancing to the same thing. Here’s what our dancers were listening to:
See the full 2013-2014 season announcement video and more.
Announcing the 2013-2014 UMS Season!
Surprising. Invigorating. Disruptive. Inspiring. Captivating.
These are just a few of the words we heard when asking audiences for their impressions immediately following performances this past season. This instant reaction gets to the heart of what it means to be present: to be there, in person, interacting with some of the best performers in the world in the extraordinary transaction between artist and audience.
And our 2013-2014 season’s performances will go even one step beyond. Some traditional. Some outside the lines. All designed to move you. But only if you choose to be present.
Watch our season announcement video:
Check out our 2013-2014 season brochure:
We’ve also got the complete 2013-2014 season listing with details about each event on our website.
What performances are you excited about? Tell us in the comments below.
Need the 2013-2014 season announcement video by chapter?
Announcing 2012-2013 Season!
It’s an exciting time at UMS. Thanks to your generosity and passion, we are coming off of a monumental season that brought us extraordinary experiences both on and off the performance stage. As we launch our 2012-2013 season, we mark 134 years of UMS and we celebrate 50 years of Chamber Music and 100 years of Hill Auditorium, a world-renowned venue right here in Ann Arbor.
As we look ahead to 2012-2013, we wonder: What will create a stir? What will give you goosebumps? What will make you think? What will get you talking? What will leave you speechless?
The only way to know the answers is to be present, in every meaning of the word. Our locally cherished and globally respected series of classical music, theater, dance, jazz, and global performances has the ability to challenge, excite, inspire, shift perspective, and ultimately change the way you see the world.
Find out more by:
- Watching our season announcement video, with details on all 2012-2013 events
- Visit our new website at www.ums.org for a complete season listing, as well as detailed information and media on each artist in the 2012-2013 season. Or, for a quick listing, check out our series brochure.
Subscriptions go on sale to the general public on Tuesday, May 1. Subscriber benefits include access to the best seats in the house, installment billing, free parking, free ticket exchanges, and great discounts – all yours when you subscribe to any fixed or SERIES:YOU (formerly known as Monogram) package. Tickets to individual events go on sale on Monday, August 6, so a subscription is the best way to lock in the events you know you don’t to miss.
We can’t wait to hear from you. Tell us what you’re excited to see in the comments below!
And thank you for being part of the UMS experience.
Need the season announcement video by series?
UMS Announces 10/11 Choral Union Series & Piano Series
The University Musical Society is pleased to announce its 132nd Annual Choral Union Series, with 10 concerts in Hill Auditorium. The series includes:
Valery Gergiev, conductor
Denis Matsuev, piano
Sunday, October 10 | 4 pm
Gergiev’s long association with the Mariinsky Theatre — including 10 UMS appearances, most recently the five-concert cycle of Shostakovich symphonies —has raised the ensemble’s profile to the point where it is now widely regarded one of the most dynamic and exciting ensembles on the world stage today. The fiery Russian pianist Denis Matsuev has received worldwide acclaim for his rare combination of technical virtuosity and deep musicality since his stunning victory at the 11th International Tchaikovsky Competition in Moscow in 1998. “His technique is phenomenal: blistering passagework, steely chords. Perhaps he is the new Horowitz.” (London Times)
Rachmaninoff Piano Concerto No. 3 in d minor, Op. 30
Mahler Symphony No. 5
Venice Baroque Orchestra
Robert McDuffie, violin
Wednesday, October 27 | 8 pm
The Venice Baroque Orchestra was founded in 1997 by harpsichordist Andrea Marcon and is recognized as one of Europe’s premier ensembles devoted to period instrument performance. For this UMS debut, they perform music of their home city — Venetian composer Antonio Vivaldi’s The Four Seasons — paired with an “American Four Seasons” by Philip Glass featuring violinist Robert McDuffie, who has worked closely with Glass over the years and who made his UMS debut with the Jerusalem Symphony in 2008.
Vivaldi The Four Seasons, Op. 8 (1723)
Glass Violin Concerto No. 2: “The American Four Seasons”
Murray Perahia, piano
Wednesday, November 10 | 8 pm
Anyone who has heard one of Murray’s Perahia’s previous 11 UMS appearances would have to agree with the assessment of The Los Angeles Times: “Perahia is a marvel.” In the more than 35 years he has been performing on the concert stage, he has become one of the most cherished pianists of our time. “Perahia may be the closest thing to a pure conduit of music — one in which the imagination and skill of the player are entirely at the service of the composer, not the player’s ego…The soul of a poet, the mind of a thinker, the hands of a virtuoso: No wonder audiences love this guy.” (The Seattle Times)
Program to be announced.
Sunday, January 16 | 4 pm
One of the most beloved and celebrated musical ambassadors of our time, soprano Renée Fleming captivates audiences with her sumptuous voice, consummate artistry, and compelling stage presence. In addition to commanding the stages of the great opera houses of the world, she hosts the Metropolitan Opera’s Live in HD Series for movie theaters and television with behind-the-scenes interviews. Her fame is such that perfumes, desserts, and flowers have all been named after her, but those superficial accolades pale in comparison to her devoted following of opera lovers around the world. This great American soprano returns to UMS after her 1997 recital and her 2005 appearance in a concert version of Richard Strauss’s Daphne.
The Cleveland Orchestra
Franz Welser-Möst, conductor
Pierre-Laurent Aimard, piano
Tuesday, February 1 | 8 pm
Founded shortly after the end of World War I, the Cleveland Orchestra has been guided by seven music directors, each of whom has left his mark on the widely admired “Cleveland” sound: Nikolai Sokoloff, Artur Rodzinski, Erich Leinsdorf, George Szell, Lorin Maazel, Christoph von Dohnányi, and Franz Welser-Möst, who leads the ensemble and the French pianist Pierre-Laurent Aimard in this performance.
Bartók Music for Strings, Percussion, and Celeste, Sz. 106, BB 114
Schumann Piano Concerto in a minor, Op. 54
Wagner Overture to Tannhäuser
Rafał Blechacz, piano
Friday, February 11 | 8 pm
In October 2005, the 20-year-old Rafał Blechacz, an unassuming young man from a small town in northern Poland, arrived in Warsaw for the 15th International Chopin Competition. His sensational performance won not only the competition, but also all four special prizes for the polonaise, mazurka, sonata, and concerto performance — in fact, one of the judges remarked that he “so outclassed the remaining finalists that no second prize could actually be awarded.” Blechacz was the first Pole to win the prize since Krystian Zimerman 30 years earlier. Notwithstanding his young age, his playing offers poetry, maturity, poise and concentration, as well as a phenomenal and luminous technique. “How reassuring it is to see one so young putting poetry first…we were all on another planet.” (Financial Times)
Program to be announced.
Detroit Symphony Orchestra
UMS Choral Union
U-M Chamber Choir
U-M University Choir
U-M Orpheus Singers
MSU Children’s Choir
Leonard Slatkin, conductor
Saturday, March 19 | 8 pm
In commemoration of the 150th anniversary of Gustav Mahler’s birth and the 100th anniversary of his death, UMS is collaborating with the DSO and Michigan Opera Theatre to present a spectacular, not-to-be-missed performance of Mahler’s monumental Symphony No. 8, also known as “Symphony of a Thousand.” The first performance of this “choral symphony” featured a chorus of about 850, with an orchestra of 171, leading Mahler’s agent to dub to the work “Symphony of a Thousand.” While Mahler himself did not approve of the title, it nevertheless remains associated with this work, which is rarely preformed due to the massive forces required to do it justice.
Bach’s Mass in b minor
Bach Collegium Japan
Masaaki Suzuki, conductor
Thursday, March 24 | 8 pm
Founded in 1990 by Masaaki Suzuki with the aim of introducing Japanese audiences to period instrument performance of great works of the Baroque period, the Bach Collegium Japan comprises both orchestra and chorus. The group has developed a formidable reputation through its recordings of J.S. Bach’s church cantatas, and returns to Ann Arbor after its 2003 St. Matthew Passion in St. Francis of Assisi Catholic Church. Widely regarded as one of the supreme achievements in classical music, the Mass in b minor was composed over a period of 25 years and assembled in its present form in 1749, the year before Bach died. “I have never heard period instruments played with such purity of tone, so reliably in tune. The small, precise, dramatically alert chorus breathed fire but also revealed a heartbreaking tenderness.” (The Los Angeles Times)
St. Petersburg Philharmonic
Yuri Temirkanov, conductor
Nikolai Lugansky, piano
Saturday, April 2 | 8 pm
The Russian city of St. Petersburg boasts two world-class orchestras, and UMS has enjoyed a long relationship with each. The St. Petersburg Philharmonic has appeared in Ann Arbor five times under Yuri Temirkanov’s leadership. With a history dating back more than 200 years, the St. Petersburg Philharmonic is embedded with musical history, performing the world premiere of Beethoven’s Missa Solemnis in 1824, as well as Tchaikovsky’s Symphony No. 6, Prokofiev’s Symphony No. 1, and many works by Shostakovich. Pianist Nikolai Lugansky, who won the 1994 Tchaikovsky Piano Competition, makes his UMS debut. A Russian newspaper said of his performance in the final round of competition: “It was like getting sunstroke, a musical shock. Nobody could imagine that the soul of this unpretentious, modest young man, with his ascetic, but also poetic appearance, held such a volcano inside with inspired and resolute control.”
Rimsky-Korsakov Scheherazade, Op. 35
Rachmaninoff Piano Concerto No. 2 in c minor, Op. 18
Genia Kühmeier, soprano
Bernarda Fink, mezzo-soprano
Michael Schade, tenor
Thomas Quasthoff, bass-baritone
Malcolm Martineau, piano
Justus Zeyen, piano
Saturday, April 23 | 8 pm
After nearly a decade in which he composed no vocal music at all, Schumann made a striking return to the genre with the Spanisches Liebeslieder song collection, which combines songs for solo voice with duets and quartets. A generation later, Brahms took the same instrumentation — vocal quartet plus four-hand piano —and composed the Liebeslieder and Neue Liebeslieder Waltzes. These three works serve the centerpiece of a program that also includes Brahms’ composition for vocal quartet and piano, performed by a brilliant quartet of musicians, including bass-baritone Thomas Quasthoff, who last appeared at UMS in a Lydia Mendessohn Theatre recital in 2000.
Schumann Spanische Liebeslieder, Op. 138
Brahms Liebeslieder Waltzes, Op. 52
Brahms Four Songs from Quartets for Four Voices and Pianos, Ops. 64 & 92
Brahms Neue Liebeslieder Waltzes, Op. 65
Tickets for the 10-concert series range from $100-$650. Subscription renewal packets and brochures will be mailed in early May.
In addition to the 10-concert Choral Union Series, five events listed above will be packaged as a Piano Series (Kirov Orchestra with Denis Matsuev, Murray Perahia, Cleveland Orchestra with Pierre-Laurent Aimard, Rafał Blechacz, and St. Petersburg Philharmonic with Nikolai Lugansky). Prices for the five-concert Piano Series range from $50-$310.
Tickets to individual events on the series go on sale on Monday, August 23 (via www.ums.org) and Wednesday, August 25 (in person and by phone).