The UMS Choral Union took the stage this weekend in Detroit for a performance of Beethoven’s 9th with the Detroit Symphony Orchestra! Here’s UMS Choral Union music director Jerry Blackstone with Ludwig himself backstage.

Many members of the UMS staff keep a watchful eye on local and national media for news about artists on our season, pressing arts issues, and more. Each week, we pull together a list of interesting stories and share them with you. Welcome to UMS’s Arts Round-up, a weekly collection of arts news, including national issues, artist updates, local shout-outs, and a link or two just for fun. If you come across something interesting in your own reading, please feel free to share!

Arts Issues

• The Detroit Symphony Orchestra strike continues, and the DSO has canceled orchestral concerts through November 7. Non-orchestral concerts, education programs, and rentals continue as scheduled.

Artist Updates

• Soprano Joan Sutherland died Sunday at age 83.  Leave your memories of her three UMS performances here.
• Rudresh Mahanthappa launched his new website this week, where you can stream his latest album, Apex.
• Muti update: Riccardo Muti is out of the hospital, recovering from extreme exhaustion from prolonged stress.
• Name the seasons! Stream Philip Glass’ American Four Seasons and follow the Venice Baroque Orchestra/Robert McDuffie Seasons Project Tour on GoogleMaps.

UMS News

• The Mariinsky Orchestra, Valery Gergiev and Denis Matsuev opened our Choral Union Series on Sunday afternoon.  You can also read comments from the audience.
• Review of last night’s Schubert concert by the Takács Quartet.

Local Shout-Outs

• If you’ve never been to the U-M Halloween Concert, it’s a real treat (with some tricks too)! Members of the University Symphony and Philharmonic Orchestras perform in this annual event on October 31 at Hill Auditorium.

Just For Fun

• Ok, maybe not “for fun”…but bedbugs were found last week in dressing rooms at Lincoln Center! They’ve turned up so far at the David H. Koch Theater, home of the New York City Ballet, and have spread to the Met.
• The YouTube Symphony Orchestra returns for its second year! Get out your instruments: audition submissions close on November 28.

Many members of the UMS staff keep a watchful eye on local and national media for news about artists on our season, pressing arts issues, and more. Each week, we pull together a list of interesting stories  and share them with you.  Welcome to UMS’s Arts Round-up, a weekly collection of arts news, including national issues, artist updates, local shout-outs, and a link or two just for fun. If you come across something interesting in your own reading, please feel free to share!

Arts Issues

• The DSO isn’t the only performing arts organization in financial trouble. The Dutch government has proposed closing the Netherlands Broadcasting Music Center, dismantling the Netherlands Radio Philharmonic, Netherlands Radio Chamber Philharmonic, Metrople Orchestra, and the Netherlands Radio Choir.

Artist Updates

• Time has run out at 3711 Woodward Ave, and the musicians of the Detroit Symphony Orchestra are on strike.
• The Metropolitan Opera opens fifth season of live high-def broadcasts this weekend with Wagner’s Das Rheingold.
• Riccardo Muti cancels his fall Chicago Symphony appearances due to illness, but violinist Anne-Sophie Mutter was up to the task, directing the season-opening Symphony Ball.

UMS News

• Barbara Hoover of The Detroit News and Susan Nisbett of Ann Arbor.com offer a glimpse at this weekend’s Paul Taylor performances
• And the AnnArbor.com review of Thursday night’s opening performance appeared this morning.
• Valergy Gergiev and the orchestra formerly known as the Kirov (now the Mariinsky) visit Ann Arbor on Sunday with a program of Rachmaninoff and Mahler.
• Japanese butoh troupe Sankai Juku, appearing as part of the UMS dance season in late October, opened their residency at New York City’s Joyce Theater this week.
• Murray Perahia cancels fall tour (including Nov 10 UMS concert) due to hand problems; Vladimir Feltsman takes his place with program of Mozart, Schubert and Chopin
• Takacs Quartet Schubert Concert: AnnArbor.com preview, Kahane out, Feltsman in (again!) for Schubert’s last piano sonata.

Local Shout-Outs

• This is the last weekend to head west to see Grand Rapids’ ArtPrize finalists. The winner of the $250,000 top prize was announced yesterday!

Just For Fun

• Think dance is just for the world’s clubs and stages? Check out this choreographed in-flight safety demonstration by Cebu Pacific. Look out Southwest, somebody’s trying to up the fun quotient!

Many members of the UMS staff keep a watchful eye on local and national media for news about artists on our season, pressing arts issues, and more. We thought we’d pull together a list of interesting stories each week and share them with you. Welcome to UMS’s Arts Round-up, a weekly collection of arts news, including national issues, artist updates, local shout-outs, and a link or two just for fun. If you come across something interesting in your own reading, please feel free to share!

Arts Issues

• “Soundcheck Smackdown” looks at the impact and value of live cinema broadcasts.
• The New York Times asks, “Does music make you exercise harder?”

Artist Updates

• Detroit Symphony Orchestra musicians authorize strike after talks fail
• A look at the Royal Shakespeare Company’s new digs
• The struggles of historic Beijng Opera in the 21^st Century
• The Village Voice chats with jazz pianist Vijay Iyer about his new album, Solo

Local Shout-Outs

• No Labor Day Weekend plans? Head downtown to the 2010 Detroit International Jazz Festival.

Just For Fun

• Graduating from Kindergarten hardly an accomplishment for this 6-year-old piano prodigy.
• Need to kickstart your workday? Flashmob-turned-flashdance got things jumping at Liverpool Station.

SN: Mahler’s Symphony No. 8 (Symphony of a Thousand) is rarely performed due to the tremendous complement of musicians required of this work – what can audience members expect to see and hear when they attend this performance?

Leonard Slatkin conducting the DSO

JN: They can expect to see and hear, first of all, excellent musicians.  The “thousands” on the stage will include the Detroit Symphony, UMS Choral Union, U-M Chamber Choir, U-M University Choir, U-M Orpheus Singers, MSU Children’s Choir and the incomparable Leonard Slatkin leading the charge.  The sheer mass of humanity will be impressive to see, and their music will be absolutely unforgettable.

SN: Have you ever seen another of Mahler’s Symphonies performed live? What about the performance(s) was the most memorable for you?

JN: Last season, I was fortunate to be in the audience when the San Francisco Symphony and Michael Tilson Thomas presented Mahler’s Symphony No. 2 (Resurrection), with the choral portion of the fourth movement being performed by the UMS Choral Union.  Gustav Mahler believed that, “The symphony must be like the world.  It must embrace everything.”  In the Resurrection Symphony, he did exactly that; he embraced everything.

SN: What are you most looking forward to about experiencing Mahler 8 live?

JN: I am looking forward to experiencing the power and genius of Mahler’s music in the hands of Leonard Slatkin.  This piece is Mahler’s magnum opus;  in his words, “the greatest thing I have done.”  For Mahler enthusiasts, this is the pinnacle.

SN: What other events are on your “must see” list for the 10/11 season?

Joanne Navarre

JN: After Mahler 8, there are three things on my “must see” list:   Susurrus (September 9-October 3, Matthaei Botanical Gardens); The Cripple of Inishmaan (Druid and Atlantic Theater Company), and Richard III and The Comedy of Errors (Propeller).  I love theater.

SN: What do you enjoy doing outside of work?

JN: I am a sports fan.  I like football and baseball, but I enjoy hockey most of all.

SN: What have you been listening to on your iPod?

JN: Renée Fleming’s Handel arias, the Hilliard Ensemble’s Morimur, and Les Arts Florissants’ Charpentier album.

Many members of the UMS staff keep a watchful eye on local and national media for news about artists on our season, pressing arts issues, and more. Each week, we pull together a list of interesting stories  and share them with you.  Welcome to UMS’s Arts Round-up, a weekly collection of arts news, including national issues, artist updates, local shout-outs, and a link or two just for fun. If you come across something interesting in your own reading, please feel free to share!

Arts Issues

• The Los Angeles Times asks, “Are Conductors Really Necessary?”
• The National Jazz Museum and audio engineer Doug Pomeroy are on a mission to save “The Savory Collection” of recorded radio broadcasts from the late 1930s
• John Kay of the Financial Times on measuring the true value of the arts

Artist Updates

• A behind-the-scenes look at the making of Renée Fleming’s new album on CBS’s “Sunday Morning”
• Philadelphia Orchestra Joins the Popcorn Crowd
• The Metropolitan Opera set a new opening day record in box office sales for the 2010/11 season
• The Detroit Symphony Orchestra under pressure with contract talks

Local Shout-Outs

• Detroit’s Music Hall announces 2010/11 season
• A remembrance on how the Barton organ saved the Michigan Theater in 1979

Just For Fun

• Dōmo arigatō, Mr. Roboto. But can they really act?

Northern Michigan Sunset, courtesy of Marnie Reid

Ah, summer. For many Michiganders, that means packing up the car and heading to a place we lovingly call “Up North,” the land of fresh air, blue skies, and sandy shores that stretch on for miles. Head north of Cadillac and west of Houghton Lake this summer, and you’ll find a myriad of arts opportunities and UMS connections.

Paul Taylor Dance Company: Piazzolla Caldera. Photo courtesy of Paul Goode.

Twenty minutes southeast of Traverse City, Interlochen Center for the Arts is nestled between tall timbers and two inland lakes. Catch an encore performance of the Punch Brothers and Chris Thile on July 17 (they performed to a sizable crowd at the Power Center this past fall) or get a sneak peak of the Paul Taylor Dance Company on July 23 before their week-long residency in Ann Arbor this fall.

Interlochen is also home to a world-famous summer arts camp that draws young musicians, dancers, writers, visual artists, and more from around the globe for two to six weeks of intensive study, and a high school arts academy. Its list of high-performing alumni is astonishingly long, and includes musicians in the Berlin Philharmonic, The Cleveland Orchestra, and Detroit Symphony Orchestra; dancers and directors of the Martha Graham Dance Company, Mark Morris Dance Company, and José Limón Dance Company; jazz musicians Regina Carter and Chris and Daniel Brubeck, and many more. In any given year, you’re bound to find at least a few alumni on the UMS schedule. In fact, UMS also used the Interlochen Academy Orchestra in the past for performances of Handel’s Messiah.

But that’s not the only place Interlochen alums appear. Several members of the UMS staff are also alumni. I myself have wonderful memories of six summers in the All-State piano, band, and orchestra programs and one summer on faculty as a flute instructor. UMS Choral Union conductor Jerry Blackstone led the University of Michigan All-State Choirs for 17 summers in addition to serving as Director of the All-State Program for several years. And UMS President Ken Fischer met his wife Penny there during summer camp in 1961 and now serves on the Board of Trustees.

Speaking of Ken, if you’re traveling to the Petoskey or Charlevoix areas, you may bump into him around town, as he often spends a few days each summer meeting with members of the UMS National Council, donors, and new friends of UMS who call this region home for part or all of the year.  For members of the U-M Alumni Associations who travel to Camp Michigania, he also gives annual talks at the Education Center.

Whatever your summer plans, we’d love to hear how you are making the arts a part of them, whether in northern Michigan, here in Ann Arbor, or by traveling to Stratford, Aspen, Tanglewood or one of dozens of other summer festivals.

The University Musical Society is pleased to announce its 132nd Annual Choral Union Series, with 10 concerts in Hill Auditorium. The series includes:

Mariinsky Orchestra

Valery Gergiev, conductor

Denis Matsuev, piano

Sunday, October 10 | 4 pm
Hill Auditorium

Gergiev’s long association with the Mariinsky Theatre — including 10 UMS appearances, most recently the five-concert cycle of Shostakovich symphonies —has raised the ensemble’s profile to the point where it is now widely regarded one of the most dynamic and exciting ensembles on the world stage today. The fiery Russian pianist Denis Matsuev has received worldwide acclaim for his rare combination of technical virtuosity and deep musicality since his stunning victory at the 11^th International Tchaikovsky Competition in Moscow in 1998. “His technique is phenomenal: blistering passagework, steely chords. Perhaps he is the new Horowitz.” (London Times)

Program
Rachmaninoff                   Piano Concerto No. 3 in d minor, Op. 30
Mahler                                 Symphony No. 5

Venice Baroque Orchestra

Robert McDuffie, violin

Wednesday, October 27 | 8 pm
Hill Auditorium

The Venice Baroque Orchestra was founded in 1997 by harpsichordist Andrea Marcon and is recognized as one of Europe’s premier ensembles devoted to period instrument performance. For this UMS debut, they perform music of their home city — Venetian composer Antonio Vivaldi’s The Four Seasons — paired with an “American Four Seasons” by Philip Glass featuring violinist Robert McDuffie, who has worked closely with Glass over the years and who made his UMS debut with the Jerusalem Symphony in 2008.

Program
Vivaldi   The Four Seasons, Op. 8 (1723)
Glass     Violin Concerto No. 2: “The American Four Seasons”

Murray Perahia, piano

Wednesday, November 10 | 8 pm
Hill Auditorium

Anyone who has heard one of Murray’s Perahia’s previous 11 UMS appearances would have to agree with the assessment of The Los Angeles Times: “Perahia is a marvel.” In the more than 35 years he has been performing on the concert stage, he has become one of the most cherished pianists of our time. “Perahia may be the closest thing to a pure conduit of music — one in which the imagination and skill of the player are entirely at the service of the composer, not the player’s ego…The soul of a poet, the mind of a thinker, the hands of a virtuoso: No wonder audiences love this guy.” (The Seattle Times)

Program to be announced.

Renée Fleming, soprano

Sunday, January 16 | 4 pm
Hill Auditorium

One of the most beloved and celebrated musical ambassadors of our time, soprano Renée Fleming captivates audiences with her sumptuous voice, consummate artistry, and compelling stage presence. In addition to commanding the stages of the great opera houses of the world, she hosts the Metropolitan Opera’s Live in HD Series for movie theaters and television with behind-the-scenes interviews. Her fame is such that perfumes, desserts, and flowers have all been named after her, but those superficial accolades pale in comparison to her devoted following of opera lovers around the world. This great American soprano returns to UMS after her 1997 recital and her 2005 appearance in a concert version of Richard Strauss’s Daphne.

The Cleveland Orchestra

Franz Welser-Möst, conductor

Pierre-Laurent Aimard, piano

Tuesday, February 1 | 8 pm
Hill Auditorium

Founded shortly after the end of World War I, the Cleveland Orchestra has been guided by seven music directors, each of whom has left his mark on the widely admired “Cleveland” sound: Nikolai Sokoloff, Artur Rodzinski, Erich Leinsdorf, George Szell, Lorin Maazel, Christoph von Dohnányi, and Franz Welser-Möst, who leads the ensemble and the French pianist Pierre-Laurent Aimard in this performance.

Program
Bartók                   Music for Strings, Percussion, and Celeste, Sz. 106, BB 114
Schumann           Piano Concerto in a minor, Op. 54
Wagner                 Overture to Tannhäuser

Rafał Blechacz, piano

Friday, February 11 | 8 pm
Hill Auditorium

In October 2005, the 20-year-old Rafał Blechacz, an unassuming young man from a small town in northern Poland, arrived in Warsaw for the 15^th International Chopin Competition. His sensational performance won not only the competition, but also all four special prizes for the polonaise, mazurka, sonata, and concerto performance — in fact, one of the judges remarked that he “so outclassed the remaining finalists that no second prize could actually be awarded.” Blechacz was the first Pole to win the prize since Krystian Zimerman 30 years earlier. Notwithstanding his young age, his playing offers poetry, maturity, poise and concentration, as well as a phenomenal and luminous technique. “How reassuring it is to see one so young putting poetry first…we were all on another planet.” (Financial Times)

Program to be announced.

Mahler’s Symphony No. 8

Detroit Symphony Orchestra

UMS Choral Union
U-M Chamber Choir
U-M University Choir
U-M Orpheus Singers
MSU Children’s Choir
Leonard Slatkin, conductor
Saturday, March 19 | 8 pm
Hill Auditorium

In commemoration of the 150th anniversary of Gustav Mahler’s birth and the 100th anniversary of his death, UMS is collaborating with the DSO and Michigan Opera Theatre to present a spectacular, not-to-be-missed performance of Mahler’s monumental Symphony No. 8, also known as “Symphony of a Thousand.”   The first performance of this “choral symphony” featured a chorus of about 850, with an orchestra of 171, leading Mahler’s agent to dub to the work “Symphony of a Thousand.” While Mahler himself did not approve of the title, it nevertheless remains associated with this work, which is rarely preformed due to the massive forces required to do it justice.

Bach’s Mass in b minor

Bach Collegium Japan

Masaaki Suzuki, conductor
Thursday, March 24 | 8 pm
Hill Auditorium

Founded in 1990 by Masaaki Suzuki with the aim of introducing Japanese audiences to period instrument performance of great works of the Baroque period, the Bach Collegium Japan comprises both orchestra and chorus. The group has developed a formidable reputation through its recordings of J.S. Bach’s church cantatas, and returns to Ann Arbor after its 2003 St. Matthew Passion in St. Francis of Assisi Catholic Church. Widely regarded as one of the supreme achievements in classical music, the Mass in b minor was composed over a period of 25 years and assembled in its present form in 1749, the year before Bach died. “I have never heard period instruments played with such purity of tone, so reliably in tune. The small, precise, dramatically alert chorus breathed fire but also revealed a heartbreaking tenderness.” (The Los Angeles Times)

St. Petersburg Philharmonic

Yuri Temirkanov, conductor

Nikolai Lugansky, piano

Saturday, April 2 | 8 pm
Hill Auditorium

The Russian city of St. Petersburg boasts two world-class orchestras, and UMS has enjoyed a long relationship with each. The St. Petersburg Philharmonic has appeared in Ann Arbor five times under Yuri Temirkanov’s leadership. With a history dating back more than 200 years, the St. Petersburg Philharmonic is embedded with musical history, performing the world premiere of Beethoven’s Missa Solemnis in 1824, as well as Tchaikovsky’s Symphony No. 6, Prokofiev’s Symphony No. 1, and many works by Shostakovich. Pianist Nikolai Lugansky, who won the 1994 Tchaikovsky Piano Competition, makes his UMS debut. A Russian newspaper said of his performance in the final round of competition: “It was like getting sunstroke, a musical shock. Nobody could imagine that the soul of this unpretentious, modest young man, with his ascetic, but also poetic appearance, held such a volcano inside with inspired and resolute control.”

Program
Rimsky-Korsakov             Scheherazade, Op. 35
Rachmaninoff                    Piano Concerto No. 2 in c minor, Op. 18

Liebeslieder Waltzes

Genia Kühmeier, soprano
Bernarda Fink, mezzo-soprano
Michael Schade, tenor
Thomas Quasthoff, bass-baritone
Malcolm Martineau, piano
Justus Zeyen, piano
Saturday, April 23 | 8 pm
Hill Auditorium

After nearly a decade in which he composed no vocal music at all, Schumann made a striking return to the genre with the Spanisches Liebeslieder song collection, which combines songs for solo voice with duets and quartets. A generation later, Brahms took the same instrumentation — vocal quartet plus four-hand piano —and composed the Liebeslieder and Neue Liebeslieder Waltzes. These three works serve the centerpiece of a program that also includes Brahms’ composition for vocal quartet and piano, performed by a brilliant quartet of musicians, including bass-baritone Thomas Quasthoff, who last appeared at UMS in a Lydia Mendessohn Theatre recital in 2000.

Program
Schumann           Spanische Liebeslieder, Op. 138
Brahms                 Liebeslieder Waltzes, Op. 52
Brahms                 Four Songs from Quartets for Four Voices and Pianos, Ops. 64 & 92
Brahms                 Neue Liebeslieder Waltzes, Op. 65

Tickets for the 10-concert series range from $100-$650. Subscription renewal packets and brochures will be mailed in early May.

In addition to the 10-concert Choral Union Series, five events listed above will be packaged as a Piano Series (Kirov Orchestra with Denis Matsuev, Murray Perahia, Cleveland Orchestra with Pierre-Laurent Aimard, Rafał Blechacz, and St. Petersburg Philharmonic with Nikolai Lugansky). Prices for the five-concert Piano Series range from $50-$310.

Tickets to individual events on the series go on sale on Monday, August 23 (via www.ums.org) and Wednesday, August 25 (in person and by phone).

Which events in the season are you most anticipating? Let us know in the comments area below.