UMS on Film Series
Every summer, we come up with about three dozen companion-films to the UMS main-stage season. We’ve narrowed the list to five this year – two in the fall, and three in the winter. Each expands our understanding of artists and their cultures, and reveals emotions and ideas behind the creative process.
In the fall, the films highlight deep cultural expressions which grow from communities of shared heritage. In the winter, the films tie in with UMS’s PURE MICHIGAN RENEGADE series, which focuses on artistic innovation and experimentation. We’ve created a mini film festival, Pure Michigan Renegade on Film, to extend the renegade idea and explore other artists who have created new arts frontiers.
All films (except one! see below) are presented in the U-M Museum of Art Stern Auditorium (525 S. State Street) and are free and open to the public.
Pure Michigan Renegade on Film:
Helicopter String Quartet
(1995, Frank Sheffer, 81 min.)
Wednesday, March 7, 7:00 PM at the Michigan Theater (603 E. Liberty)
Tickets: $10 general admission; $7 students/seniors/UMS and Mich Theater members; $5 AAFF members
Purchase Tickets Here
The UMS Renegade on Film series culminates at the Michigan Theatre in collaboration with the Ann Arbor Film Festival (celebrating its 50th anniversary in March 2012!!). The curators at AAFF chose an amazing documentary that captures the renegade spirit and provides a fabulous lead-in to the San Francisco Symphony American Mavericks concerts. In one of the most certifiably eccentric musical events of the late 20th century, German composer Karlheinz Stockhausen designed and executed the performance: four string quartet members playing an original piece by Stockhausen in four separate helicopters, all flying simultaneously. The sound was then routed to a central location and mixed; the work premiered, in turn, at the 1995 Holland Festival. Frank Scheffer’s film Helicopter String Quartet depicts the behind-the-scenes preparations for this event; Scheffer also conducts and films an extended conversation with Stockhausen in which the creator discusses the conception and execution of his composition and then breaks it down analytically. Featuring music by Karlheinz Stockhausen, performed by the Arditti String Quartet. Co-presented with the Ann Arbor Film Festival in partnership with the Michigan Theater, in collaboration with the U-M Museum of Art.
Fauborg Tremé: The Untold Story of Black New Orleans
(2008, Dawn Logsdon, 69 min.)
Tuesday, October 11, 7 pm
Connected with UMS’s presentation of A Night in Tremé: the Musical Majesty of New Orleans, this documentary follows Lolis Eric Elie, a New Orleans newspaperman on a tour of his city, a tour that becomes a reflection on the relevance of history, folded into a love letter to the storied New Orleans neighborhood, Faubourg Tremé. Arguably the oldest black neighborhood in America and the birthplace of jazz, Faubourg Tremé was home to the largest community of free black people in the Deep South during slavery, and it was also a hotbed of political ferment. In Faubourg Tremé, black and white, free and enslaved, rich and poor co-habitated, collaborated, and clashed to create America’s first Civil Rights movement and a unique American culture. Wynton Marsalis is the executive producer of the film, which also features an original jazz score by Derrick Hodge. Introducing the film is U-M American Culture faculty member Bruce Conforth, whom some may remember from last season’s series on American Roots music.
AnDa Union: From the Steppes to the City (with director Q&A)
(2011, Sophie Lascelles and Tim Pearce)
Tuesday, November 8, 7 pm
Before AnDa Union takes the stage at Hill Auditorium, filmmakers Sophie Lascelles and Tim Pearce will screen their new documentary, which follows the group of 14 musicians who all hail from the Xilingol Grassland area of Inner Mongolia. The film premieres at the London Film Festival on October 13, and Ann Arbor will be one of the first to screen it after its debut. AnDa Union is part of a musical movement that is finding inspiration in old and forgotten folk music from the nomadic herdsman cultures of Inner and Outer Mongolia, drawing on a repertoire of music that all but disappeared during China’s recent tumultuous past. Tim and Sophie will be here in Ann Arbor to introduce the film, and take audience questions after the screening.
(2006, Katharina Otto-Bernstein, 105 min.)
Tuesday, January 10, 7 pm
Absolute Wilson chronicles the epic life, times, and creative genius of theater director Robert Wilson. More than a biography, the film is an exhilarating exploration of the transformative power of creativity – and an inspiring tale of a boy who grew up as an outsider in the American South only to become a fearless artist with a profoundly original perspective on the world. The narrative reveals the deep connections between Wilson’s childhood experiences and the haunting beauty of his monumental works, which include the theatrical sensations “Deafman Glance,” “Einstein on the Beach” and “The CIVIL WarS.”
The Legend of Leigh Bowery (with director Q&A)
(2002, Charles Atlas, 60 min.)
Monday, February 13, 7 pm
Renegade filmmaker Charles Atlas (who worked extensively with the late choreographer Merce Cunningham) introduces his 2002 documentary The Legend of Leigh Bowery. Artist/designer/performer/provocateur Leigh Bowery designed costumes and performed with the enfant terrible of British dance Michael Clark, designed one-of-a-kind outrageous costumes and creations for himself, ran one of the most outrageous clubs of the 1980s London club scene (later immortalized in Boy George’s Broadway musical “Taboo”), and was the muse of the great British painter Lucian Freud. The film includes interviews with Damien Hirst, Bella Freud, Cerith Wyn Evans, Boy George, and his widow Nicola Bowery. Charles Atlas will participate in audience Q&A immediately following the film. This film is co-presented with the U-M Institute for the Humanities which hosts Charles Atlas’s video installation “Joints Array” in February 2012.
VIDEO & CONTEST: What deal would you make with devil?
UMS is celebrating American roots this season by presenting and exploring uniquely American art forms like Jazz, Bluegrass, and the Blues. In anticipation of the Blues at the Crossroads concert on February 10, we’ve been working with the U-M Museum of Art to draw out some the connections between the American folk art on display at the museum and the American Roots Music artists on the 10/11 UMS season.
Former curator of the Rock & Roll Hall of Fame (and current UM Lecturer) Bruce Conforth joined curator (and PhD candidate) Kristine Ronan in the gallery to talk about how folk art and roots music are intertwined. Bruce and Kristine had a great conversation (which we’ve captured on video) – and we hope you’ll check out some of the music and art they talk about:
NOW FOR THE CONTEST! Legendary Blues musician Robert Johnson was rumored to have made a deal with the devil to receive his extraordinary guitar talents. Join our contest to win a pair of tickets to Blues at the Crossroads (February 10) or a tour CD and t-shirt by answering the question: what deal would you make with the devil? Leave your answer in the comments below and we’ll choose a winner at random (and be sure to sign in with facebook/twitter or leave us a valid email address so we can get in touch with you if you win!). Contest ends Tuesday, February 8 at 12 noon.
You can hear more from Bruce by joining his free American Roots/American Routes 101: The Blues workshop on Monday, February 7 at 7 pm at the Cobblestone Farm Barn. You can see all the artworks on display at UMMA through June 26.