U-M SMTD Moore Building
Messiah Soloist Master Classes
The U-M School of Music, Theatre & Dance Department of Voice, in conjunction with UMS, is pleased to present three Master Classes, each led by a soloist from this year’s UMS presentation of Handel’s Messiah.
All classes at the Earl V. Moore Building are free and open to the public to come and observe. Class locations are as follows:
– Watkins Lecture Hall: Rachele Gilmore, soprano.
– McIntosh Theatre: Gina Perregrino, mezzo-soprano.
– Kevreson Rehearsal Hall: Paul Appleby, tenor.
Acclaimed for her “silvery soprano, with an effortlessness that thrills her audience,” Rachele Gilmore is consistently praised as “the vocal standout” on both opera stage and in the concert hall. A renowned bel canto singer, her repertoire spans a wide range, including Donizetti, Mozart, Verdi, Strauss, as well as the French and modern composers. She is a regular performer in America, Europe, and Asia and has performed in many of the world’s most prestigious opera houses, including The Metropolitan Opera, Teatro alla Scala, Bayerische Staatsoper, La Monnaie, Grand Théâtre de Geneve, and Festival d’Aix en Provence. She has also regularly appeared with the Los Angeles Philharmonic under the baton of Gustavo Dudamel, as well as the Pittsburgh Symphony Orchestra led by Manfred Honeck. Her signature roles among many, include Lucia in Lucia di Lammermoor, Gilda in Rigoletto, Olympia in Les contes d’Hoffmann, Zerbinetta in Ariadne auf Naxos, Ophélie in Hamlet, as well is Alice in Unsuk Chin’s Alice in Wonderland.
Due to her notable work in opera, Gina has collaborated alongside authors such as Salmon Rushdie and Khaled Hosseini. Behind the screen, she has also been featured in the film Baawal (2023), directed by award winning director Nitesh Tiwari. The most recent opera/film-hybrid collaboration was with Afghan film director Roya Sadat and Roya Film House during the world premiere of the opera 1000 Splendid Suns with Seattle Opera. She has performed with the Deutsche Oper Berlin, Seattle Opera, Santa Fe Opera, Minnesota Opera, Opera Philadelphia, The Dallas Opera, Opera Theatre of Saint Louis, Ópera de Guatemala, The Atlanta Opera, OperaDelaware, and Central City Opera.
Admired for his interpretive depth, vocal strength, and range of expressivity, tenor Paul Appleby is one of the most sought-after voices of his generation. He graces the stages of the world’s most distinguished concert halls and opera houses and collaborates with leading orchestras, instrumentalists, and conductors. Opera News writes, “[Paul’s] tenor is limpid and focused, but with a range of color unusual in an instrument so essentially lyric… His singing is scrupulous and musical; the voice moves fluidly and accurately.”
Paul Appleby’s calendar of the 2023-24 season includes a debut at La Monnaie in the world premiere of Cassandra, written by Bernard Foccroulle and Matthew Jocelyn under the baton of Kazushi Ono, a debut at the Gran Teatre del Liceu in the principal role of Caesar in the European premiere of John Adams’ Antony and Cleopatra, and a return engagement with Glyndebourne to sing Tamino in Die Zauberflöte. Igor Stravinsky features prominently in the American tenor’s concert diary with a San Francisco Symphony debut with Music Director Esa-Pekka Salonen in performances of Les Noces, Pulcinella with Music Director Gustavo Gimeno and the Toronto Symphony Orchestra, and the title role ofŒdipus Rex with Santtu-Matias Rouvali leading the Munich Philharmonic. As well, he assays the Evangelist in Schmidt’s seldom-heard oratorio Das Buch mit sieben Siegeln with Music Director Fabio Luisi leading the Dallas Symphony Orchestra.
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