Sunday, February 16, 2025 1:00 PM
Stamps Auditorium, Walgreen Drama Center
asses.masses
Created by Patrick Blenkarn and Milton Lim
$15-20 student tickets available
Experience asses.masses as a spectator, a player, or both!
The unemployed donkeys have one demand: the humans must surrender their machines and give all donkeys their jobs back. But revolution is never easy!
asses.masses is a custom video game designed to be played from beginning to end by a live audience. This is gaming as theater: an immersive, cheeky, and highly original work about labor, technophobia, and sharing the load of revolution. Audience members cheer on and coach brave spectators who choose to take turns at the controller to lead the herd through a post-Industrial society, where asses are valued more for their hides than their potential.
asses.masses is Animal Farm meets Pokémon meets Final Fantasy: as exciting in form as it is in content. Confronting automation driven job loss, nostalgia as a barrier to progress, and the role of technology in adaptation, we are encouraged to find space between the work that defines us and the play that frees us.
“Hands down one of the best live experiences I’ve ever had in a theater…Milton Lim and Patrick Blenkarn are geniuses.” (Mayfest, Bristol)
Frequently Asked Questions
For additional information about accessibility, please review the show’s Access Guide.
All text in asses.masses is visually displayed on the screen. The show will be presented in English.
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asses.masses is created by a team of international artists led by Patrick Blenkarn and Milton Lim.
Patrick Blenkarn and Milton Lim are conceptual artists exploring urgent questions around the social value of art, digital labor, and the political potential of games. Mixing their backgrounds in performance, philosophy, psychology, and digital media, their collaborations have manifested in video games, participatory installations, digital archives, and card games. In addition to asses.masses, Patrick and Milton are also the co-founders of the Canadian national video archive of performance (videocan) and the co-creators behind a performing arts economy trading card game (culturecapital). Their projects have been presented across Canada, as well as in Argentina, Mexico, Europe, and the UK, in English, French, Spanish, Italian, and Catalan.