Blog

Perhaps the most staggering moment of Monday night’s panel was Professor Rutter’s insistence that the breaking of the fourth wall is pivotal in Propeller’s productions. Simply, that men playing women is not the biggest leap of imagination we all take when we go to the theater, and that if we trust the actors, their craft and skill and dedication, to entertain us, then we will be glad to see actors acting rather than imagining them to be the characters they portray.

Peter Brook’s “The Empty Space” published in 1968, has long been a touchstone for anyone who cares about the theater. The book came up last night during Carol Rutter’s energetic talk at the UM Museum of Artabout the Propeller Theater Company and its uniquely “rough” style of performance.

Caro MacKay, executive producer of Propeller, will zip into Ann Arbor to see her company in action, but over the weekend she was at home in London, where I reached her by phone. The former Royal Shakespeare Company producer knows us well—she was here for both the first and second RSC Ann Arbor residencies, in 2001 and 2003.

We’ve asked two community members, Leslie Stainton and Jen Leija, to cover all the Propeller events and report about them here. Our bloggers will have behind-the-scenes access and will bring you recaps and reporting from all of Propeller’s performances and residency activities.

For years, Michael Kondziolka, UMS’s Programming Director, has been my go-to guy for all things cultural. If Michael says see it (as he does about Propeller), I move heaven and earth to heed the call. So I asked him how Propeller caught his eye…

Next week, the UK’s all-male Shakespeare troupe Propeller (led by acclaimed director Edward Hall) will be taking Ann Arbor by storm with stellar new productions of “Richard III” and “The Comedy of Errors.” The shows have been receiving rave reviews and great word-of-mouth from audiences. The video trailers for both productions are here — and they are pretty awesome.

U-M Professor Enoch Brater is on sabbatical in New York this semester and caught an early performance of Propeller’s The Comedy of Errors at the Brooklyn Academy of Music (BAM) last week.  …

Guest blogger Garrett Schumann re-contextualizes Bach’s Mass in b minor and provides an inside scoop as to what we can listen for during Bach Collegium Japan’s performance in Hill Auditorium.

The University Musical Society will donate 50% of all new ticket purchases to the Bach Collegium Japan concert on Thursday, March 24 in Hill Auditorium to the American Red Cross Japan Earthquake…