Blog

3/18/2012

3/15 – 3/17/2012

3/10/2012

3/9/2012

We love offering youth performances throughout our season. The performances are attended by classes of students, but home-schooled students also get together in groups in order for the performances. We asked a few of the home-schooled families to talk about their experiences.

This winter, University Musical Society (UMS) is presenting a 10-week, 10-event ‘renegade’ series focusing on thought-leaders and game-changers in the performing arts. San Francisco Symphony’s American Mavericks festival will close the series.The second American Mavericks Festival, presented by SFS as part of its centennial season, will tour in its entirety to only two US venues: Hill Auditorium and Carnegie Hall. We’ll be featuring multimedia content for the performances each Monday as part of our Maverick Mondays series.

Petra Kuppers describes Wayne McGregor’s intensive movement research which informs his choreography: “There is a long tradition of work fascinated by difference: last month’s Einstein on the Beach, is based on the writings of Christopher Knowles, an autistic poet, and collaborator of Robert Wilson. In AtaXia, disability and bodily difference emerge as formal movement principles, and create a new attention to different ways of being in space.”

Carlo Gesualdo was a prince and landholder in Venosa in southeastern Italy. Around 1588 his wife began an affair with a gentleman in the vicinity. In 1590 Gesualdo, found the pair in bed together, stabbed them both, and hung their corpses in front of his castle for all to see. The story was retold repeatedly by poets of the day in a sixteenth-century equivalent of headline news. Was Gesualdo really a renegade as well as a murderer? Was he even a “modernist” of his time?

UMS is presenting the Chamber Ensemble of the Shanghai Chinese Orchestra on February 10. They perform on the zheng, dizi, erhu, pipa, and other Chinese instruments seldom featured in the West. Learn about and listen to these instruments below the fold.