Student Collaborations at The Kennedy Center

From Left to Right: Martha Cargo, Jordan Brooks, Eric Siu, Erik Haasler, Rimbo Wong, Kari Dion, Lee Dionne.

A few weeks ago, I traveled to Washington D.C and had the pleasure of playing with musicians spanning the entire country.  The University of Michigan participates annually in the Kennedy Center’s conservatory project, for which college students from around the country are brought together to collaborate.

This year, Three Cities Marathon project showcased new and contemporary music from recent composers. I was ecstatic to be U-M’s nominee this year; I had always admired the Kennedy Center’s commitment to young artists, but I never thought I would get to be a part of it.

I had never been to Washington D.C before, so after I arrived, I immediately wanted to see the sights. I walked around Georgetown and through the monuments, admiring the city. Finally on Saturday morning, I met and rehearsed with my fellow student musicians from around the country.

The piece I was invited to perform was Martin Smolka’s  Die Seele auf dem Esel (The Sole on the Donkey) for Piccolo, Eb Clarinet, Cello, Viola, Violin, Percussion, and Piano; non-traditional as far as instrumentation goes.

The piccolo player was Martha from Manhattan School of Music, the cellist was Erik from San Francisco, Rimbo was the violist from the Cleveland Institute of Music, the violinist was Eric from Rice, the percussionist was Jordan from Berkley, and the Pianist was Lee from Yale. Seven extraordinary musicians, yet, our piece was very hard to put together.

When modern music is notated, it tends to be more ambiguous and exceedingly more complicated metrically, making rehearsal’s very difficult. My part actually instructed me to play certain notes however I wanted to, for any duration, until the “rain stick” decided to stop. So crazy!

We had very little time to put the piece together; the rehearsals were Saturday, and the performance was Sunday afternoon. But, despite the complicated notations and the shortness of the stay, the performance was a wonderful experience. Having the pleasure to play with such great musicians who have the ability to hear and react perfectly to everything was very special.

The other composers featured on the concert were Johannes Maria Staud and György Kurtág. Probably the most memorable piece from the whole concert was Strad’s work Incipit II for trombone and bass drum. This seems fairly normal, however, Strad’s piece is meant to be played by one person. The performer is instructed to play a kick drum, the trombone, as well as scream and grunt during the piece. It was one of the most involved solo works I had ever heard; it was brilliant!

Playing Eb clarinet has always been very fun for me, but I had never imagined it would take me so many different places. Being part of the Three Cities Marathon project was especially fun. Seeing a new city, performing new music, and connecting to more wonderful musicians; thanks so much U of M for the opportunity.

Check out the link to the performance!

— Kari Dion is a U-M Master’s Clarinet student and UMS Digital Media Intern. She is also part of Akropolis quintet.