The saxophonist was embraced by the jazz mainstream on the release of 1994’s Moodswing, and he’s been both a critical and commercial favorite ever since. The Bad Plus, by contrast, have courted controversy since the release of their 2003 major label debut, These Are the Vistas. But when Joshua Redman joined the idiosyncratic trio as a special guest a few years back, a brilliant collaboration was born. Redman’s melodic prowess blends seamlessly with the “avant-garde populism” of The Bad Plus, pushing the boundaries of jazz beyond all imagination. Metroland describes this new all-star quartet best: “It’s as though Redman is the long-lost fourth member of the group, just waiting to be snapped snugly into place. Imagine if the Beatles had spent the first decade of their career as a trio before adding Paul. It’s like that.”